Whitechapel · 1888  ·  A film by Eileen Daly & Jason Impey

Shot once. Cut twice. Drag it.

Echoes ofCrimson

Eileen's cut · the comedy horror
Jason's cut · the dark one
◀▶

Drag to compare

Colour → Black · Same film

One shoot. Two directors. Two completely different films. You get both.

If you're not ready yet

Then let us find you at the end.

The last forty‑eight hours decide it. Leave your email and we'll tell you when the clock is running out — and nothing else, ever. Not your address to anyone, not a newsletter.

We write twice: when we launch, and when it's nearly over.

The two of them

Who made this, twice.

Eileen Daly

Director · The chaos cut

Eileen Daly

Four decades in British horror, and no permission asked for any of it. She debuted at sixteen in Soft Cell's “Tainted Love”, was trained by Fenella Fielding, and co‑founded Redemption Films — then became the face of it. Now she writes, directs, produces, edits and grades her own features.

  • Razor Blade Smile — multiple awards, incl. Best B‑Film Actress
  • Cradle of Fear · Pervirella · Witchcraft X
  • 25+ features · Eileen Daly Productions
  • Worked with Walken, McDowell, Siouxsie, Bradley
Jason Impey

Cinematographer · The dark cut

Jason Impey

He picked up a camera at ten years old and has not put it down since — studying film formally, and teaching himself everything the course didn't cover. One of the most prolific names in British indie horror, he's also known for re‑cutting his own work into entirely new films, which is, in a roundabout way, exactly how this project started.

  • Shoots and cuts features out of Milton Keynes
  • Film school trained · self‑taught with it
  • Prolific — a fixture of British indie horror
  • Long‑running collaborator with Eileen Daly

The campaign

The film is happening. Help us finish it — both ways.

We've put our own money on the line to shoot this in August — no commissioner, no permission. What's left is post‑production: two edits, two grades, two mixes, and the fight to get it seen.

Now

Kickstarter · Every backer gets both cuts